, Title, Period, Venue, Contents, Date, Attach 상세정보 입니다.
Title Rio Carnival of Brazil: The Soul of Africa, the Rhythm of Samba
Period 16 Dec. 2025(Tue)-15 Mar. 2026(Sun)
Venue National Folk Museum of Korea, Paju - 1st Floor Lobby

  • Exhibition Title: The World in the Storage:
  • Venue: National Folk Museum of Korea, Paju — 1st Floor Lobby
  • Exhibition Period: December 16, 2025 (Tue) – March 15, 2026 (Sun)
    ※ Visiting hours: 10:00–18:00 (Closed on Mondays)
  • Exhibition Overview
    - Introduction to Brazilian samba and the Rio Carnival festival
    - The theme of Mangueira Samba School’s participation in the 2025 Rio Carnival, focusing on the hardships and resilience of Bantu-descended Africans through migration
  • Exhibited Materials: Costumes, musical instruments, and float structures from Mangueira Samba School’s participation in the 2025 Rio Carnival


Brazil, on the opposite side of the globe from Korea, hosts the Rio Carnival every year—a festival so vast in scale, preparation, and the crowds it attracts that it’s often described as the largest celebration in the world. Audiences are captivated by its powerful rhythms, passionate dances, and spectacular parades that unfold in long, sweeping sequences. Yet behind this dazzling display—so overwhelming to the senses—lies a story that is far less familiar.
At the heart of the Carnival is samba, a music- and dance-centered tradition that once comforted and uplifted enslaved Africans who were brought to work on Brazilian plantations. Rooted in the suffering and resilience of these slaves, samba developed into a rich cultural expression that eventually developed into the competitive parade format of today’s Rio Carnival, organized by samba schools that carry on samba’s heritage in their respective communities.


Opening the Exhibition: Festival, and the Rio Carnival of Brazil

In 2025, the National Folk Museum of Korea engaged in research and collection efforts focusing on Estação Primeira de Mangueira, a samba school in Rio de Janeiro with more than a century of history. As one of Brazil’s most renowned samba institutions, Mangueira offers an especially meaningful window into the Rio Carnival—an event that powerfully reflects Brazilian culture.
The museum’s interest in festivals stems from their unique nature: they emerge from the particular ways of life of a community, incorporate artistic expression, and reveal both the universal and distinctive dimensions of culture. In an age when advanced technologies allow communication beyond physical boundaries and make encounters with global cultures increasingly common, the National Folk Museum of Korea is preparing to become an institution that fosters deeper intercultural understanding.
“World Seen through the Storage: Brazil” marks the first exhibition in this new series. It features costumes, instruments, components of parade floats, and other materials used by Mangueira in the 2025 Rio Carnival. We hope you look forward to future world folklore exhibitions presented by the National Folk Museum of Korea.


Samba Schools: Community-Based Institutions in Brazil that Preserve Samba

Samba schools are community-based organizations that preserve samba traditions through music and dance practices and participation in the Rio de Janeiro Carnival. They also contribute to society in other ways, such as running educational programs for local residents and providing spaces for cultural activities and leisure. Estação Primeira de Mangueira (Mangueira Samba School), founded in 1928, is one of Brazil’s leading samba schools, winning a remarkable 20 championships at the Rio Carnival, to whose development it has contributed through its powerful social messages, its representation of community voices, and its creative artistic direction.


Rio Carnival 2025 and Mangueira Samba School

2025년 카니발을 위한 망게이라 삼바스쿨 포스터

At the Rio Carnival, each samba school presents its parade theme with thousands of performers, elaborate floats, and a wide array of instruments, all set to new music produced each year. Mangueira’s 2025 Rio Carnival theme was “À Flor da Terra,” which literally means “emerging above the ground.” It brings to mind an episode of history in which the bodies of Bantu-speaking Africans—brought to Rio de Janeiro through slavery and dying soon after arrival—were buried, only to be exposed on the earth’s surface by rain. Metaphorically, the title may also be understood as “flowers blooming on the earth,” expressing the Bantu peoples’ hardship, resistance, and their vitality and pride that nonetheless took root and flourished in Rio. Through this theme, Mangueira highlighted the traces of Bantu migration and settlement, reexamining the enduring beliefs and values they continue to uphold in Rio today.


Experiencing the Rio Carnival through Video and Music

“Samba-enredo” is a special form of samba music created by each samba school to convey its theme at the Rio Carnival. It connects the entire parade like a single narrative, expressed through song, dance, floats, and more. The large percussion ensemble is called a “bateria,” and drives the parade’s excitement and energy with a plethora of instruments such as drums, shakers, and tambourines. We invite you to experience—through video and the instruments used by Mangueira Samba School—the onsite atmosphere created by all the samba schools at the 2025 Rio Carnival.



Exhibition Overview

Exhibition Overview

Exhibition Overview

Exhibition Overview

Exhibition Overview

Exhibition Overview

Exhibition Overview

Exhibition Overview

Exhibition Overview



Main Exhibits

Mangueira Samba School Flag Mangueira Samba School Flag
Donated by Mangueira Samba School

The Mangueira Samba School flag has layers of symbolism. The drum represents samba’s rhythm, the crown signifies the “queen of samba,” and the laurel branches symbolize glory and victory. The number of stars at the center of the flag indicates how many times Mangueira has won the Rio Carnival to date. Cartola (1908-1980; also known as Angenor de Oliveira), a legendary master of samba music and the school’s preeminent founder, designated green and pink as the organization’s signature colors—a legacy that remains vibrant to this day.
Flowers Blooming on the Earth (À flor da Terra) Flowers Blooming on the Earth (À flor da Terra)

This is part of a parade float fashioned in the likeness of a Bantu mask, which heralds the commencement of the procession. Inscribed on the forehead of the mask is a cross-like motif representing a philosophical worldview regarding the stages of life. The songs and dances of the performers accompanying the float powerfully encapsulate profound themes, such as the liberation of the Bantu people and the collective dignity of their community.
The Faith that Guides My Camutuê* (A Fé que Guia Meu Camutuê) The Faith that Guides My Camutuê* (A Fé que Guia Meu Camutuê)

This is part of a parade float that illustrates the enduring efforts to preserve the traditional beliefs of the Bantu people. The sculpture of the Virgin Mary features an open torso, from which a Black female leader emerges. This transition aligns her with the role of the Holy Mother, who nurtures and protects the spiritual essence of the Bantu community. It symbolizes the syncretism of traditional African religions and Catholicism, reflecting the resilience of the Bantu people as they sought to sustain their unique faith and identity amidst societal oppression.

* Camutuê: In the Afro-Brazilian religion of Candomblé, this term refers to the "head" of a person beginning in the faith. Within the Bantu worldview, it signifies the spiritual center, where thoughts, the heart and mind, and one's direction in life converge.
The Mystery of the Ancestral Kalunga (Mistério das Kalungas Ancestrais) The Mystery of the Ancestral Kalunga (Mistério das Kalungas Ancestrais)

For the Bantu people, “kalunga” signifies the threshold and the conduit of circulation connecting life and death, as well as the human and ancestral realms, with water and the ocean serving as the vital medium. The resilience and vitality shown by numerous Bantu people during their journey from Africa across the Atlantic to Rio de Janeiro, Brazil, through the slave trade (beginning in the 16th century) are brilliantly embodied through costumes featuring various marine life and coral.
Imposition of a White Spell (Imposição de um Feitiço Branco) Imposition of a White Spell (Imposição de um Feitiço Branco)

This costume portrays the historical suppression of traditional Bantu religions and beliefs by Catholicism, driven by European supremacy during the colonization of Brazil. Typical Catholic symbols—such as the cross and the Keys of Heaven—are rendered as macabre skulls to express the cruelty of the religious coercion of that era.
Most Holy Macumba (Santíssima Macumba) Most Holy Macumba (Santíssima Macumba)

“Macumba,” a term originating from Bantu languages, refers to the rituals and beliefs used to commune with ancestors or deities within Afro-Brazilian religions. This costume is adorned with elements such as seashells, straw, and beads—materials that define Macumba or are utilized in festivals honoring Macumba deities. It expresses the resilience of the Bantu people and their descendants in Rio de Janeiro as they resisted racial discrimination and religious persecution, while simultaneously reinventing their traditional faith to preserve its unique values within their contemporary reality.

Date 2025-12-16
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