, Title, Period, Venue, Contents, Attach 상세정보 입니다.
Title ZERO: The North Korea
Period August 12, 2026 (Wed) – February 14, 2027 (Sun)
Venue Special Exhibition Hall 1

Exhibition Overview


In “ZERO: North Korea Encountered on the Path of Folk Culture,” ZERO embodies the concept of gong (空) - understood here not as emptiness or absence, but as an open space and point of departure where new understanding begins. Like returning to a point zero, the exhibition invites us to set aside, for a moment, the perceptions and preconceptions we have long taken for granted, and to view North Korea not as something unfamiliar, but as another way of life shaped upon the same historical and cultural foundations we both share.

As the saying goes, “A mountain is a mountain, and water is water.” Only by seeing things as they are can we encounter their true nature. The same is true of North Korea. It is the place closest to us, yet one that has long felt the most distant. Perhaps that distance has been shaped not only by geographical boundaries, but also by the years in which we did not truly know one another. Through folk culture - the most everyday and deeply human lens through which to view life - this exhibition seeks to gradually narrow that distance.

Bringing together the cultural foundations long shared by South and North Korea and the diversity of their regions, the exhibition presents the lives, aesthetic sensibilities, and everyday memories of the people of the North before us today. Following the traces of life preserved in the folk materials, we hope visitors will rediscover the cultural roots we have long shared, deepen mutual understanding, and reflect on the possibilities of coexistence and reconciliation.

At the end of this journey, what awaits is not an unfamiliar North Korea, but the memory of another life that has long existed alongside our own. May this encounter become a new beginning for understanding one another - ZERO.


gong (空): A Korean rendering of the East Asian philosophical concept of “emptiness” derstood here not as emptiness or absence, but as an open space and point of departure where new understanding begins.


PART I.  DISTINCT MEMORIES

Though rooted in the same cultural heritage, the northern regions of the Korean Peninsula developed distinctive everyday cultures shaped by their natural environment and historical background. Through folk materials from Gaeseong, Hwanghae-do, Pyeongan-do, and Hamgyeong-do, this section explores the diverse ways of life found across northern Korea.
Hwanghae-do reflects an everyday culture shaped by fertile plains and the sea. Gaeseong reveals its legacy as the former capital of the Goryeo dynasty(918-1392) and a thriving commercial city. Pyeongan-do presents urban culture and folk belief through paintings of Pyeongyang, shamanic paintings, and Maninsan(embroidered parasol honoring officials’ benevolent deeds), while Hamgyeong-do conveys its regional identity through Wonsan, Hamheung, Cheongjin, and Baekdusan Mountain.
Domestic implements, documentary records, paintings, and songs reveal the distinctive character of each region while reminding us of the cultural foundations we have long shared.


PART II.  FACING ONE ANOTHER

The folk culture of North Korea reflects ways of life and aesthetic values not unlike our own. Through the everyday lives of people who celebrated festivals, kept their homes, learned, prepared food, and shared meals, we encounter traditions that remain deeply familiar.
The masks of Bongsan Talchum, Gangnyeong Talchum, and Haeju Talchum, together with the masks of the Bukcheong Saja Noreum, embody the vitality and spirit of community life. Haeju soban (individual dining tables) and bandaji (chests) reveal the beauty of everyday craftsmanship, while Haeju jars evoke the warmth of daily life centered on food. The Four Treasures of the Scholar's Studio reflect the value placed on learning, while Pyeongyang naengmyeon and Gaeseong mandu represent culinary traditions that continue to this day.
These museum objects preserve the daily lives of individuals and the memories of their communities. We invite you to follow their stories and discover a way of life that is both familiar and shared.


PART III.  ONE SHARED MEMORY

Geumgangsan Mountain has long been remembered and cherished by both South and North Korea as a sacred mountain of the Korean people. For generations, visitors recorded their impressions in writings and paintings, and later its beauty reached wider audiences through photographs and postcards. Though times have changed, the desire to remember Geumgangsan Mountain has endured.
Travel journals, travel accounts, pictorial maps of scenic excursions, folding screens, painting albums, paintings, photograph albums, and postcards reveal the many faces of Geumgangsan Mountain. Through words, images, and photographs, each has preserved its own memory of the mountain.
More than a landscape of extraordinary beauty, Geumgangsan Mountain is a shared cultural memory woven into art, culture, and everyday life. It remains with us today as a precious cultural heritage to be cherished by both South and North Korea.